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From Spectacle to Deterritorialisation: Deleuze, Debord and the Politics of Found Footage Cinema.

• Authors : Bueno, Claudio Celis¹

Subjects: Deterritorialization; Debord, Guy, 1931-1994; Deleuze, Gilles, 1925-1995

• Source: Deleuze & Guattari Studies. Feb2019, Vol. 13 Issue 1, p54-78. 25p.

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Destroy Cinema!/Destroy Capital!: Guy Debord's The Society of the Spectacle (1973).

• Authors : Noys, Benjamin¹

Subjects: *SOCIALISM & motion pictures; *SPECTACULAR, The; *CAPITALISMSOCIETY of the Spectacle, The (Film)DEBORD, Guy, 1931-1994; AGAMBEN, Giorgio, 1942-

• Source: Quarterly Review of Film & Video. Oct2007, Vol. 24 Issue 5, p395-402. 8p.

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A counter-memory of the BUMIDOM through documentary: L'Avenir est ailleurs (2007) and BUMIDOM: des Français venus d'outre-mer (2010).

• Authors : Wimbush, Antonia

Subjects: DOCUMENTARY films; EMIGRATION & immigration

• Source: Contemporary French Civilization; Sep2023, Vol. 48 Issue 3, p195-215, 21p

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Countering political enchantments in digital China: With reference to the fan-remix Meeting Sheldon.

• Authors : Wang, Dingkun

• Source: Translation Studies (14781700); Jan2023, Vol. 16 Issue 1, p17-32, 16p

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Creatively rethinking the augmented Society of the Spectacle. A discussion on art and the political.

• Authors : Grubisic, Daniela; Manfredini, Manfredo

Subjects: PUBLIC spaces; PUBLIC art; INSTALLATION art

• Source: Annales Universitatis Paedagogicae Cracoviensis: Studia de Arte et Educatione; 2022, Vol. 17 Issue 375, p91-103, 13p

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"This Is No Simulation!": Hypermimesis from Being John Malkovich to Her.

• Authors : Lawtoo, Nidesh

Subjects: MIMESIS in motion pictures; REALISM in motion pictures; SIMULATION methods & modelsBEING John Malkovich (Film)JONZE, Spike, 1969-

• Source: Quarterly Review of Film & Video; 2020, Vol. 37 Issue 2, p116-144, 29p

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Fantasy Island.

Subjects: *FILMMAKERS; DIRECTORS & directingLONDON (England); ENGLANDQUAY, Stephen, 1947-; QUAY, Timothy

• Source: Film Comment. Nov/Dec2005, Vol. 41 Issue 6, p9-9. 2/3p. 1 Black and White Photograph.

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Dead appealing: how photographer Christopher Williams' shiny shots advertise emptiness; Fake smiles, glass flowers and redder than red apples . Williams' peculiar images seduce even as they hint at the corruption of photography by advertising

• Authors : By:Sean O'Hagan

• Source: Guardian, The (London, England), April 28, 2015 Art and design UK, p. 18 9pp

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Leaving the Twentieth Century : Situationist Revolutions

• Authors : McKenzie Wark

Subjects: PHILOSOPHY / Political; ART / Art & Politics; POLITICAL SCIENCE / History & Theory

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Psychoanalysis and Ethics in Documentary Film

• Authors : Agnieszka Piotrowska

Subjects: PSYCHOLOGY / Psychotherapy / Psychoanalysis; PSYCHOLOGY / Mental Health; SOCIAL SCIENCE / Media Studies

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