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Education Full Text (H.W. Wilson)

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House full: Silent film genre, exhibition and audiences in south India.

• Authors : Hughes, Stephen

Subjects: MOTION picture audiences; SILENT films; MOTION picturesINDIA

• Source: Indian Economic & Social History Review; Jan-Mar2006, Vol. 43 Issue 1, p31-62, 32p

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Seeing films through sound: Sound design, spatial audio, and accessibility for visually impaired audiences.

• Authors : Lopez, Mariana; Kearney, Gavin; Hofstädter, Krisztián

Subjects: HALLUCINATIONS; STATISTICS; MOTION picturesUNITED Kingdom

• Source: British Journal of Visual Impairment; May2022, Vol. 40 Issue 2, p117-144, 28p

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Mediating terror: Hollywood narratives of terrorism and young Moroccan audiences.

• Authors : Marzouki, Mohamed El

Subjects: SEPTEMBER 11 Terrorist Attacks, 2001; MOTION pictures; TERRORISMKINGDOM, The (Film)BERG, Peter

• Source: Global Media & Communication; Dec2011, Vol. 7 Issue 3, p251-256, 6p

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Explaining Global Box-Office Tastes in Hollywood Films: Homogenization of National Audiences' Movie Selections.

• Authors : Fu, W. Wayne; Govindaraju, Achikannoo

Subjects: FILM box office revenue; MOTION pictures; MOTION picture titlingUNITED States

• Source: Communication Research; Apr2010, Vol. 37 Issue 2, p215-238, 24p, 5 Graphs

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The Military and Society: Reaching and Reflecting Audiences in Fiction and Film.

• Authors : Harper, Howard

Subjects: CIVIL-military relations; FICTION; MOTION picturesUNITED States

• Source: Armed Forces & Society (0095327X). Winter2001, Vol. 27 Issue 2, p231-248. 18p.

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Film consumer decision-making: The Philadelphia story, 1935–36.

• Authors : Sedgwick, John; Pokorny, Michael

Subjects: FILM box office revenue; CONSUMER preferences; CONSUMER behaviorPHILADELPHIA (Pa.); PENNSYLVANIA

• Source: Journal of Consumer Culture; Nov2012, Vol. 12 Issue 3, p323-346, 24p

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Variations of an archetypal scene: the Paris Métro confrontation in Michael Haneke's Code Unknown.

• Authors : Andersson, Johan

Subjects: MULTIRACIAL people; MOTION pictures; AUDIENCESHANEKE, Michael, 1942-

• Source: Environment & Planning D: Society & Space; Aug2013, Vol. 31 Issue 4, p693-707, 15p

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The Rationalization and Reenchantment of Cinematic Space.

• Authors : Recuber, Tim

Subjects: PSYCHOANALYSIS; MOTION pictures; AUDIENCES

• Source: Space & Culture; Aug2007, Vol. 10 Issue 3, p315-330, 16p

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Fiction film and the ‘real’ world.

• Authors : Šakota-Kokot, Tanja

Subjects: REALITY; MOTION pictures; CAUSATION (Philosophy)KINGDOM, The (Film)

• Source: Global Media & Communication; Dec2011, Vol. 7 Issue 3, p221-226, 6p

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