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After Beethoven: Imperatives of Originality in the Symphony

• Authors : Whittall, Arnold

• Source: Music & Letters. Nov, 1997, Vol. 78 Issue 4, p600, 3 p.

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Commonplacing and Originality: Reading Francis Meres.

• Authors : Scott-Warren, Jason

• Source: The Review of English Studies. Nov, 2017, Vol. 68 Issue 287, 902-923.

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Creativity and originality in art

• Authors : Crowther, Paul

• Source: The British Journal of Aesthetics. Oct, 1991, Vol. 31 Issue 4, p301, 9 p.

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France's Security Independence: Originality and Constraints in Europe, 1981-1995

• Authors : Salmon, Trevor

• Source: The English Historical Review. Feb, 2009, Vol. 124 Issue 506, p251, 2 p.

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Original Copy: Plagiarism and Originality in Nineteenth-Century Literature.

• Authors : Mazzeo, Tilar J.

• Source: The Review of English Studies. Nov, 2007, Vol. 58 Issue 237, p750, 2 p.

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Agricola

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Authenticity, not originality

• Authors : Swaab, Peter

• Source: Essays in Criticism. Oct, 2009, Vol. 59 Issue 4, p370-381.

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Originality and flexibility

• Authors : Fyler, John M.

• Source: Essays in Criticism. Oct, 2009, Vol. 59 Issue 4, p347-355.

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Musical Genre and Romantic Ideology : Belonging in the Age of Originality

• Authors : Matthew Gelbart

Subjects: Music--19th century--History and criticism; Romanticism in musicHISTORY / Europe / General; MUSIC / History & Criticism

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Originality and Imagination.

• Source: The Review of English Studies. Nov, 1986, Vol. 37, 613.

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