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Choreographing Homosexual Desire in Philippe Vallois's Johan.

• Authors : Gerstner, David A.

Subjects: GAY men in motion pictures; FRENCH films; NEW wave filmsJOHAN: Mon ete 75 (Film)VALLOIS, Philippe

• Source: Camera Obscura; 2013, Vol. 28 Issue 84, p124-157, 34p, 1 Color Photograph, 10 Black and White Photographs

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Cinema of Disillusionment: Chen Guofu, Cai Mingliang, and Taiwan's Second New Wave.

• Authors : Hsiu-Chuang Deppman

Subjects: ESSAYS; FILMMAKERS; NEW wave filmsTAIWANCHEN Guofu; TSAI, Ming-Liang, 1957-

• Source: Positions; Fall2009, Vol. 17 Issue 2, p435-454, 21p, 11 Black and White Photographs

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II: Seeing After Film: TEXTUAL AND CINEMATIC FORMS OF ETHICAL REASON. 5: War Again: Qandahar, 911--Figure and Discourse in Iranian Cinematic Writing.

• Authors : Fischer, Michael M. J.^1,2

Subjects: Mute Dreams, Blind Owls & Dispersed Knowledges: Persian Poesis in the Transnational Circuitry (Book); Art & war; Film scriptwritingIran

• Source: Mute Dreams, Blind Owls & Dispersed Knowledges: Persian Poesis in the Transnational Circuitry. 2004, p259-354. 96p. 25 Black and White Photographs.

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II: Seeing After Film: TEXTUAL AND CINEMATIC FORMS OF ETHICAL REASON. 4: Filmic Judgment and Cultural Critique: The Work of Art, Ethics, and Religion in Postrevolution Iranian Cinema.

• Authors : Fischer, Michael M. J.^1,2

Subjects: Mute Dreams, Blind Owls & Dispersed Knowledges: Persian Poesis in the Transnational Circuitry (Book); Battle of, Karbalā', Iraq, 680, in literature; Art & religionIran

• Source: Mute Dreams, Blind Owls & Dispersed Knowledges: Persian Poesis in the Transnational Circuitry. 2004, p222-258. 37p.

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II: Seeing After Film: TEXTUAL AND CINEMATIC FORMS OF ETHICAL REASON. 3: Awaiting the Revolution: Surrealism Persian Style.

• Authors : Fischer, Michael M. J.^1,2

Subjects: Mute Dreams, Blind Owls & Dispersed Knowledges: Persian Poesis in the Transnational Circuitry (Book); Surrealism; Modernism (Art)

• Source: Mute Dreams, Blind Owls & Dispersed Knowledges: Persian Poesis in the Transnational Circuitry. 2004, p151-221. 72p. 4 Black and White Photographs.

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Prelude: After Epic, Writing, Painting, and Film.

• Authors : Fischer, Michael M. J.^1,2

Subjects: Makhmalbāf, Muhsin, 1957-; Kiarostami, Abbas, 1940-2016; Idioms

• Source: Mute Dreams, Blind Owls & Dispersed Knowledges: Persian Poesis in the Transnational Circuitry. 2004, p1-13. 13p.

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Between Ooru, Area, and Pettai: The Terms of the Local in Tamil Cinema of the Twenty-First Century.

• Authors : Vasudevan, Nitya

Subjects: TAMIL films; MOTION pictures; RURAL geographyTAMIL Nadu (India); INDIARAMACHANDRAN, M. G.

• Source: Positions; Feb2017, Vol. 25 Issue 1, p145-172, 28p

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CHAPTER THREE: Identity Transformations: Mel Gibson's Sexuality.

• Authors : DeAngelis, Michael

Subjects: SEXUAL orientation; GENDER identityUNITED StatesGIBSON, Mel, 1956-

• Source: Gay Fandom & Crossover Stardom: James Dean, Mel Gibson & Keanu Reeves; 2001, p119-177, 59p

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The Cinema of Naruse Mikio: Women and Japanese Modernity

• Authors : Catherine Russell

Subjects: Women in motion picturesHISTORY / Asia / Japan; PERFORMING ARTS / Film / Direction & Production; PERFORMING ARTS / Film / History & Criticism

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Taboo Memories, Diasporic Voices

• Authors : Ella Shohat, Caren Kaplan; Robyn Wiegman

Subjects: Identity (Psychology); Zionism; FeminismSOCIAL SCIENCE / Feminism & Feminist Theory; HISTORY / United States / 21st Century

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