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Sensorial Transparency in Thrillers' Dread Scenes.

• Authors : ABUHASSAN, L. B.¹ ; OMARI, K. A. A.²

Subjects: THRILLER films; FILM theory; HUSH (Film)

• Source: Utopia y Praxis Latinoamericana. 2020 Extra 6, Vol. 25, p343-352. 10p.

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The fictional and transmedia representation of the urban space in the historical thriller: La Peste.

• Authors : C., Fernández-Castrillo¹ ; Sahagún M., García² ; Moreno E., Tiburcio¹

Subjects: PUBLIC spaces; REALITY television programs; SIXTEENTH centurySEVILLE (Spain)

• Source: Revista de Comunicación. sep2023-feb2024, Vol. 22 Issue 2, p135-20. 20p.

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Towards a narrative definition of the American political thriller film.

• Authors : Castrillo, Pablo¹ ; Echart, Pablo²

Subjects: POLITICAL films; THRILLER films; MOTION picturesUNITED States

• Source: Communication & Society. 10/01/2015, p109-123. 15p. 1 Chart.

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A televisão como arma: projeções sobre modelos de operação e do uso do meio no filme Murder by television (1935).

• Authors : Busetto, Áureo¹

Subjects: THRILLER films; TELEVISION stations; TELEVISION program plots & themesBRAZIL

• Source: ArtCultura. Jul-Dec2020, Vol. 22 Issue 41, p103-125. 23p.

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Enfermo de thriller.

Subjects: SIGUAN, Miquel; AESTHETICS; THRILLER films

• Source: Iconofacto. jul-dic2011, Vol. 7 Issue 9, p10-31. 22p.

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El cine, los niños y la sombra de Don Quijote (1916): "género policíaco", fábulas milesias y fábulas apólogas.

• Authors : PEDROSA, JOSÉ MANUEL¹

Subjects: MOTION pictures & children; DON Quixote (Fictional character); LARRUBIERA, Alejandro

• Source: OCNOS: Journal of Reading Research / Revista de Estudios sobre Lectura. 2014, Issue 11, p131-140. 10p.

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TRAUMA, MEMÓRIA E JUSTIÇA EM “A MORTE E A DONZELA”, DE ROMAN POLANSKI.

• Authors : Seltzer Goldstein, Thaís¹

Subjects: DEATH & the Maiden (Film); DORFMAN, Ariel, 1942-; POLANSKI, Roman, 1933-

• Source: Psicologia USP. Sep-Dec2013, Vol. 24 Issue 3, p509-526. 18p.

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