Twentieth-Century Experiments in Form: A Critical Re-reading of Cecilia Vicuña's Indigenism as Episteme.

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    • Abstract:
      The article describes the aesthetic project of Chilean-born artist and poet Cecilia Vicuna using the notion of dissidence. Topics covered include the pre-Columbian influence of Vicuna's indigenism, the neoliberal unsettling of democratic experimentalism in Chile in the1970s, and how ethnopoetic translation notates performativity.