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9 a.m. - 6 p.m.
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John's Island Library
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"The Great Palace of American Civilization" Allen Eaton’s Arts and Crafts of the Homelands, 1919-1932.
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- Author(s): Greenwold, Diana
- Source:
Contemporaneity: Historical Presence in Visual Culture; 2014, Vol. 3 Issue 1, p98-115, 18p- Subject Terms:
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- Subject Terms:
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- Abstract: Allen Eaton's Arts and Crafts of the Homelands exhibition premiered in Buffalo, New York in 1919, where it drew record crowds to the Albright Gallery. Iterations of the display soon opened in Albany, Rochester, and then in several other cities across the United States. Arts and Crafts of the Homelands showcased European craftwork of local immigrant groups to celebrate a model of early twentieth-century American pluralism. This article examines the aims of exhibit organizers, immigrant presenters, and native-born visitors to these exhibitions. The structure of the displays--which highlighted domestic tableaux of old-world objects--obfuscated the contemporary contributions of immigrant groups to American cultural and economic forums. I argue, however, that local groups took advantage of the exhibit's performance spaces to assert their active presence in American public life. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Contemporaneity: Historical Presence in Visual Culture is the property of University of Pittsburgh, University Library System and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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