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Voice is the original instrument.
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- Author(s): La Barbara, Joan
- Source:
Contemporary Music Review; 2002, Vol. 21 Issue 1, p35-48, 14p
- Subject Terms:
- Additional Information
- Subject Terms:
- Abstract:
The singer Joan La Barbara's career as a composer, performer, and sound artist has been devoted to exploring the human voice as a multifaceted instrument, going beyond its traditional boundaries to create works for voices, instruments, and interactive technologies. As a pioneer in the field of contemporary classical music and sound art, she has developed a unique vocabulary of experimental and extended vocal techniques, including the multiphonics, circular singing, ululation, and glottal clicks that have become her signature sounds. Tracing her development as a performer and composer, La Barbara discusses her collaborations with American composers including John Cage, Morton Fieldman, Alvin Lucier, Morton Subotnick, Philip Glass, and Steve Reich, and describes the musical world of New York in the 1970s. [ABSTRACT FROM AUTHOR]
- Abstract:
Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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