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Wando Mount Pleasant Library
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![loading](/sites/all/modules/hf_eds/images/loading.gif)
The Two--Audience Theory of English Renaissance Drama.
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![loading](/sites/all/modules/hf_eds/images/loading.gif)
- Author(s): Levin, Richard
- Source:
Shakespeare Studies (Rosemont Publishing & Printing Corporation). 1986, Vol. 18, p251. 25p. - Source:
- Additional Information
- Subject Terms:
- Subject Terms:
- Abstract: Discusses the ironic approach which has produced many readings of Renaissance drama by dividing each play it encounters into two opposite meanings. Approach's dependence on a theory of two audiences; Ironic readings of English dramatist William Shakespeare's plays, such as 'Henry V' and 'The Merchant of Venice'; Critics' argument regarding the practice of composing a play for two distinct audiences.
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