Brush Up Your Shakespeare, Or Whoever.

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    • Abstract:
      LOS ANGELES SINCE his career began three decades ago, Roland Emmerich has let his movies speak for themselves. And they have done so, rather loudly. There was the alien-shot laser beam zapping the White House to smithereens in ''Independence Day.'' Then a superstorm partly buried the Statue of Liberty in ice in ''The Day After Tomorrow.'' Most recently tidal waves leveled Rio, New York and the White House (again) in ''2012.'' [ABSTRACT FROM PUBLISHER]
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