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From Chamber to Church: The Remarkable Emergence of Thomas Sternhold as Psalmist for the Church of England.
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- Author(s): Jones, Elisabeth R.
- Source:
Reformation & Renaissance Review: Journal of the Society for Reformation Studies. Apr2009, Vol. 11 Issue 1, p29-55. 26p. - Source:
- Additional Information
- Subject Terms:
- Subject Terms:
- Abstract: The paper explores the question of why Thomas Sternhold's small collections of metrical psalms, originally produced as godly entertainment for King Edward VI, became the kernel of the pre-eminent liturgical metrical psalter used in the Church of England in the sixteenth century. The author examines Sternhold's metrical psalms in comparison to two other metrical psalters, subjecting each to an analysis of their stated purpose, their relationship to biblical texts, their use of sources, their relationship to emerging evangelical biblical hermeneutics, and their style of paraphrase, rhyme and metre. The conclusions drawn from this examination suggest that the longevity, popularity and ultimate success of the Sternhold psalm media for public sung worship lies, ironically, in the initial lack of intent to use it as a liturgical text. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Reformation & Renaissance Review: Journal of the Society for Reformation Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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