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A telescopic paradox: the artisans of the Accademia del Cimento, their instruments and their (in)visibility.
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- Author(s): Zanetti C;Zanetti C;Zanetti C
- Source:
Annals of science [Ann Sci] 2024 Jul; Vol. 81 (3), pp. 309-358. Date of Electronic Publication: 2023 Jun 13.- Publication Type:
Journal Article; Historical Article; Biography- Language:
English - Source:
- Additional Information
- Source: Publisher: Taylor & Francis Country of Publication: England NLM ID: 0372361 Publication Model: Print-Electronic Cited Medium: Internet ISSN: 1464-505X (Electronic) Linking ISSN: 00033790 NLM ISO Abbreviation: Ann Sci Subsets: MEDLINE
- Publication Information: Original Publication: London : Taylor & Francis
- Subject Terms:
- Abstract: The brief life of the Accademia del Cimento (1657-1667), the first known society with a purely experimental programme, 1 is entangled with the most surprising advancements in the history of scientific instruments of that century, from the telescope to the microscope, the thermometer to the barometer, the hygrometer to the pendulum as a time-regulator, and more. The making of instruments at the Florentine court shows the interaction of princely, scholarly and artisanal actors. This paper explores this collaboration and shows how the supposed "invisibility' of artisans depended on their proximity to the academicians and princes, who mainly communicated verbally with them, directly or through middlemen. The visibility of artisans increases proportionally to their physical distance from the Court. In this essay I unveil the identity of the artisans of the Cimento and, finally, attempt to attribute five instruments (some lost and others still extant) to specific makers, shedding light also on relations between the artisan and his patron.
- Publication Date: Date Created: 20230614 Date Completed: 20240528 Latest Revision: 20240528
- Publication Date: 20240528
- Accession Number: 10.1080/00033790.2023.2218854
- Accession Number: 37312561
- Source:
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