Lost Tribes: The Indian in American Hebrew Poetry.

Item request has been placed! ×
Item request cannot be made. ×
loading   Processing Request
  • Author(s): Weingrad, Michael
  • Source:
    Prooftexts. Fall2004, Vol. 24 Issue 3, p291-319. 29p.
  • Additional Information
    • Subject Terms:
    • Subject Terms:
    • Abstract:
      The figure of the American Indian was a central motif and preoccupation for the immigrant Hebrew poets in the United States. Many critics date the beginnings of an estimable Hebrew literature in the United States to the publication of Benjamin Nahum Silkiner's Indian epic "Mul ohel Timmura" (1910). Using the figure of the Indian, these poets could claim the mantle of Americanness through Romantic and pastoral nature poetry while avoiding the modern, urban American landscape that they found alienating and aesthetically difficult to render. The Indian was also an object of dark fascination for a group of poets desperately concerned with the possibility of Jewish national and cultural survival in modernity. Significantly, they tended to focus on dying tribes, on the crisis of cultural continuity, and on the predations of Christian antisemitism. These poets created a body of work that reflected and refracted Jewish experience—including Zionism and contemporary events in Palestine. [ABSTRACT FROM AUTHOR]
    • Abstract:
      Copyright of Prooftexts is the property of Indiana University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)