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Wando Mount Pleasant Library
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Village Library
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St. Paul's/Hollywood Library
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Phone: (843) 889-3300
Otranto Road Library
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Phone: (843) 572-4094
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McClellanville Library
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Keith Summey North Charleston Library
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Hurd/St. Andrews Library
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Folly Beach Library
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*open the 2nd and 4th Saturday
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Phone: (843) 552-6466
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Phone: (843) 722-7550
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Phone: (843) 805-6930
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Possessing the Past through Print: Sixteenth-Century Engravings of Imagined Antiquities.
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- Author(s): Fisher, Kylie
- Source:
Sixteenth Century Journal. Spring2024, Vol. 55 Issue 1/2, p133-169. 37p. - Source:
- Additional Information
- Subject Terms:
- Abstract: In recounting the 1527 Sack of Rome when many antiquities were looted, damaged, and destroyed, the poet Antonio Tebaldeo warned, "if you come back, you will find Rome un-made." As a result of the physical and psychological devastation caused by Holy Roman Emperor Charles V's army, anxiety grew over the city's capability to preserve the artistic remains of its illustrious past and subsequently maintain its stature as caput mundi. Once fertile ground for the discovery and display of antiquities, Rome lay barren in this regard, leaving inhabitants who longed to connect with the historical past to do so through other visual means. Printmakers in early sixteenth-century Rome capitalized on the desire among local antiquarians to cultivate a kind of spiritual bond with the ancient city by inventing antiquities in print. Three engraving series of all'antica vases and ewers by Agostino Veneziano, Leonardo da Udine, and Enea Vico from the 1530s and 1540s reveal how prints of pseudo-antiquities provided viewers with the opportunity to conceptually possess the past, and in turn, immortalize the ethos of antiquity in their memories. Through their classicizing ornamentation, perfectly intact condition, placement within illusionistic spaces, and accompanying inscriptions, the objects in these engravings functioned as examples of plausible fiction, that is antiquities believed to have once existed in pre-Sack Rome. These prints allowed local collectors to recuperate a lost, even if imagined, past, thereby contributing to Rome's mythmaking as the Eternal City. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Sixteenth Century Journal is the property of Sixteenth Century Society and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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