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جدلية العلاقة بين الخطاب الشعري القديم وسلطة المرجعية حتى نهاية العصر العباسي)نماذج مختارة( (Arabic)
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- Author(s): ليلى رضوان
- Source:
Journal of the Arab American University; 2024, Vol. 10 Issue 1, p1-27, 27p
- Additional Information
- Alternate Title:
The dialectic relationship between the ancient poetic discourse and the authority of cultural reference (DOXA) until the end of the Abbasid era (Selected poems). (English)
- Abstract:
The paper studied the relationship between the authority of cultural reference - as an expressive and artistic value - and the authority of the ego and their influence on the formation of the poetic discourse. Generally speaking, most of the Arab poetry represented the values of the group and consequently was subjected to its authority and rules. Therefore, it was impossible to get detached from the group's authority, or else you will be regarded as rebellious. That values and cultural conflicts had two approaches: The positive conflict was imposed as a result of the cultural transformations like the conflict between the old and the new. The other was the conflict between two cultures which was separated from the group's values and its artistic and intellectual systems. This type of conflict had been evident and conspicuous during the pre-Islamic era and the following eras because of the new generation and life full of new unfamiliar values. Therefore, the poetic discourse in these eras rebelled against the prevailing culture and the traditional artistic and aesthetic values. [ABSTRACT FROM AUTHOR]
- Abstract:
يدرس البحث العلاقة بين سلطة المرجعية الثقافية - بوصفها منظومة قيمية وفنية وتعبيرية- وسلطة الأنا وأثرهما في تشكيل الخطاب الشعري. فقد عبر الشعر العربي، في معظمه، عن قيم الجماعة، وخضع لسلطتها وأنظمتها، وأعاد إنتاجها، وشكّل هويتها، لذلك كان الخروج عليها ضرباً من التمرد على ما ارتضته الجماعة، وتعبي ا رً عن ص ا رع ثقافي وقيمي، اتخذ اتجاهين: أحدهما عبرّ عن ص ا رع إيجابي ، فرضته التحولات الثقافية ، ومثّله الص ا رع بين القديم والجديد. أما الاتجاه الآخر ، فقد ع برّ عن ص ا رع قيمي بين ثقافتين، مبتعداً عن قيم الجماعة وأنظمتها الفكرية والفنية. وقد تبدى هذا الص ا رع منذ العصر الجاهلي، ومن ثم اتخذ خطاً تصاعدياً في العص ور التالية ، نتيجة فرض حياة جديدة ، تسودها قيم لم يألفها الشع ا رء، فعبرّ الخطاب الشعري عن تمرد بعضهم وعبثهم بالقيم التي أثلتها الثقافة السائدة، وخروجهم على منظومة القيم والتقاليد الفنية والجمالية للشعرية العربية. [ABSTRACT FROM AUTHOR]
- Abstract:
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