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Complaint and the Bourbon Monarchy in (Post-)Recessionary Cinema from Spain.
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- Author(s): Cameron, Bryan
- Source:
Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America; Jun/Jul2024, Vol. 101 Issue 5/6, p869-896, 28p- Subject Terms:
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- Additional Information
- Subject Terms:
- Subject Terms:
- Abstract: This essay traces the expression of censorious affects toward Spain's emeritus King Juan Carlos I in two films produced in the aftermath of the Great Recession (2007–2009). Centring on Santiago Sierra and Jorge Galindo's Los encargados (2012) and El Rey (Alberto San Juan & Valentín Álvarez, 2018), I argue that cinematic forms of complaint provide an ideal vehicle for contesting the future of the Bourbon monarchy. In the context of the (post-)crisis, both take aim at the Crown, using complaint as a genre to debate social attachments and interrogate narratives linked to the history of democracy in contemporary Spain. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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