El juego autoficcional en el teatro de Diana M. de Paco.

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  • Additional Information
    • Alternate Title:
      The Autofictional Game in Diana M. de Paco’s Theater.
    • Subject Terms:
      AUTOBIOGRAPHICAL fiction; DRAMATISTS; CORPORA; CONSTITUTIONS; AUTHORS; POETICS
    • Abstract:
      El objeto de este artículo propone un acercamiento a la obra dramática de Diana M. de Paco Serrano (Murcia, 1973) desde una perspectiva autoficcional. Se trata, en cualquier caso, de imprimir operatividad teórica a una concepción performativa del «juego autoficcional» en medio de esa compleja red de relaciones, confluencias y disonancias entre la persona real, la idea de dramaturga y la constitución de los personajes dramáticos. Para tal fin, se abordarán cuestiones concretas en torno a las particularidades teóricas de la autoficción dramática, esbozando a grandes rasgos el proyecto dramatúrgico de la autora, con el fin de forjar una especie de guía orientativa de su producción, al tiempo que, al delimitar un corpus concreto en tres ejemplos fundamentales, puedan establecerse matices comparativos intertextuales que ofrezcan una suerte de rasgos preponderantes que bien podrían definir su poética autoficcional. [ABSTRACT FROM AUTHOR]
    • Abstract:
      The purpose of this article proposes an approach to the dramatic work of Diana M. de Paco Serrano (Murcia, 1973) from an autofictional perspective. In any case, it is about giving theoretical operability to a performative conception of the «autofictional game» in the midst of that complex network of relationships, confluences and dissonances between the real person, the idea of the playwright and the constitution of the dramatic characters. To this end, specific questions will be addressed regarding the theoretical particularities of dramatic autofiction, broadly outlining the author’s dramaturgical project, in order to forge a kind of guide for her production, while, by delimiting a specific corpus in three fundamental instances, intertextual comparative nuances can be established that offer a kind of preponderant features that could well define his autofictional poetics. [ABSTRACT FROM AUTHOR]
    • Abstract:
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