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El primer auge de la industria de producción cinematográfica en México (1929-1936): una contribución a la historia económica del cine.
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- Author(s): Galván Gómez, Carlos Alejandro1
- Source:
H-Industria: Revista de Historia de la Industria Argentina y Latinoamericana. 2024, Vol. 18 Issue 34, p103-123. 21p. - Source:
- Additional Information
- Alternate Title: The First Boom of the Film Production Industry in Mexico (1929-1936): A Contribution to the Economic History of Cinema.
- Subject Terms:
- Subject Terms:
- Abstract: Por medio de un análisis con perspectiva empresarial, el presente artículo analiza el auge que experimentó la industria de producción cinematográfica mexicana a inicios de la década de 1930. Se propone que el auge debe ser entendido dentro del contexto de la transición internacional al cine sonoro y de efervescencia nacionalista en México. Del mismo modo, se propone que el auge fue resultado del aprovechamiento de dichos contextos por parte de la Compañía Nacional Productora de Películas, así como el entusiasmo generado por su cinta fundacional, Santa (Moreno, 1932). Los estudios sobre la industria cinematográfica mexicana han enfatizado el papel de los elementos estéticos y sociales para entender el desarrollo del cine mexicano, sin embargo, el presente estudio busca contribuir a esta historiografía incorporando elementos microeconómicos, así como herramientas de análisis de la literatura sobre formación de industrias. [ABSTRACT FROM AUTHOR]
- Abstract: Through a business perspective, this article examines the boom experienced by the Mexican film production industry in the early 1930s. It is argued that the boom should be understood within the context of the international transition to sound film, and nationalist fervor in Mexico. Similarly, it is proposed that the boom resulted from the ability of the National Film Production Company to exploit those contexts, as well as the enthusiasm generated by its foundational film, Santa (Moreno, 1932). Studies on the Mexican film industry have emphasized the role of aesthetic and social elements in understanding the development of Mexican cinema; however, this study seeks to contribute to this historiography by incorporating microeconomic elements as well as tools from literature regarding industry formation. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of H-Industria: Revista de Historia de la Industria Argentina y Latinoamericana is the property of H-Industria, Revista de Historia de la Industria Argentina y Latinoamericana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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