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West Ashley Library
9 a.m. – 7 p.m.
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Folly Beach Library
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Wando Mount Pleasant Library
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9 a.m. – 6 p.m.
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Julia Keiner's Universalism and the Question of Israeli style.
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- Author(s): Bernstein, Noga
- Source:
Journal of Design History; Mar2024, Vol. 37 Issue 1, p37-53, 17p- Subject Terms:
- Source:
- Additional Information
- Subject Terms:
- Abstract: The existence, or lack thereof, of a distinguishable Israeli style remains a central question in the historiography of Israeli art and design. This a examines tensions produced by this debate between the 1940s and 1960s—a formative period of Israeli nation-building—as manifested in the design and pedagogical ideology of handweaver Julia Keiner (1900–1992), who immigrated to Mandatory Palestine from Germany in 1936 and founded the textile department at the New Bezalel School of Art and Craft. I argue that, for Keiner, good design was based on objective, universal principles stemming from the interrelation of process and material, as well as the objective laws of nature. However, her work was ineluctably entangled with this search for a distinctly Hebrew or Israeli style. This essay shows how each of the textile department's two fields of training—weaving and embroidery—reflected tensions between Keiner's universalist approach and local efforts to establish such a national style. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Journal of Design History is the property of Oxford University Press / USA and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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