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Folly Beach Library
9 a.m. - 2 p.m.
*open the 2nd and 4th Saturday
*open the 2nd and 4th Saturday
Phone: (843) 588-2001
Edgar Allan Poe/Sullivan's Island Library
Closed for renovations
Phone: (843) 883-3914
West Ashley Library
9 a.m. - 5 p.m.
Phone: (843) 766-6635
Wando Mount Pleasant Library
9 a.m. - 5 p.m.
Phone: (843) 805-6888
Village Library
9 a.m. - 1 p.m.
Phone: (843) 884-9741
St. Paul's/Hollywood Library
9 a.m. - 5 p.m.
Phone: (843) 889-3300
Otranto Road Library
9 a.m. - 5 p.m.
Phone: (843) 572-4094
Mt. Pleasant Library
9 a.m. – 5 p.m.
Phone: (843) 849-6161
McClellanville Library
9 a.m. – 1 p.m.
Phone: (843) 887-3699
Keith Summey North Charleston Library
9 a.m. - 5 p.m.
Phone: (843) 744-2489
John's Island Library
9 a.m. - 5 p.m.
Phone: (843) 559-1945
Hurd/St. Andrews Library
9 a.m. - 5 p.m.
Phone: (843) 766-2546
Miss Jane's Building (Edisto Library Temporary Location)
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Dorchester Road Library
9 a.m. - 5 p.m.
Phone: (843) 552-6466
John L. Dart Library
9 a.m. - 5 p.m.
Phone: (843) 722-7550
Baxter-Patrick James Island
9 a.m. - 5 p.m.
Phone: (843) 795-6679
Main Library
9 a.m. - 5 p.m.
Phone: (843) 805-6930
Bees Ferry West Ashley Library
9 a.m. - 5 p.m.
Phone: (843) 805-6892
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Closed
Phone: (843) 805-6909
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Remaining Palestinian: Annemarie Jacir's Films and Protagonists as "Unruly Subjects".
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- Author(s): Hudson, Dale
- Source:
Afterimage; Mar2024, Vol. 51 Issue 1, p70-95, 26p- Subject Terms:
- Source:
- Additional Information
- Subject Terms:
- Abstract: Palestinian filmmakers are largely dependent on foreign funding for production and on foreign festivals for publicity. Making a Palestinian film can seem as "impossible" as remaining Palestinian amid fragmenting effects of occupation/war and peace accords. Against such pressures, Palestinian filmmaker Annemarie Jacir tells stories with protagonists, who, for foreign funders, can seem like "unruly subjects" for remaining Palestinian. As a consequence, her films themselves can seem like "unruly subjects" to industry film critics. Her films like twenty impossibles (ka'inana ashrun mustaheel, 2003), Salt of This Sea (Milh Hadha al-Bahr, 2008), When I Saw You (Lamma Shoftak, 2012), and Wajib (2017) tell stories about Palestinians debating each other (rather than Israelis via US negotiators) during key moments in Palestinian history, including the Nakba (1948), the Naksa (1967), the Oslo Accords (1993), and Al-Aqsa or second Intifada (2000–05). Jacir's protagonists refuse the limiting choices on offer. They demand to be recognized as Palestinian, as does Jacir as a Palestinian filmmaker against the efforts of Western industry critics, festivals, and funders to label her as an "Arab woman filmmaker," often carrying colonial assumptions of "oppressed" or "exceptional" women throughout Southwest Asia ("the Middle East"). Her films do more than offer a glimpse of everyday life to "humanize" Palestinians; they are "unruly subjects" that unsettle assumptions to reframe the debates. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Afterimage is the property of University of California Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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