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John L. Dart Library
9 a.m. – 7 p.m.
Phone: (843) 722-7550
West Ashley Library
9 a.m. – 7 p.m.
Phone: (843) 766-6635
Folly Beach Library
Closed
Phone: (843) 588-2001
Edgar Allan Poe/Sullivan's Island Library
Closed for renovations
Phone: (843) 883-3914
Wando Mount Pleasant Library
9 a.m. – 8 p.m.
Phone: (843) 805-6888
Village Library
9 a.m. – 6 p.m.
Phone: (843) 884-9741
St. Paul's/Hollywood Library
9 a.m. – 8 p.m.
Phone: (843) 889-3300
Otranto Road Library
9 a.m. – 8 p.m.
Phone: (843) 572-4094
Mt. Pleasant Library
9 a.m. – 8 p.m.
Phone: (843) 849-6161
McClellanville Library
9 a.m. - 6 p.m.
Phone: (843) 887-3699
Keith Summey North Charleston Library
9 a.m. – 8 p.m.
Phone: (843) 744-2489
John's Island Library
9 a.m. – 8 p.m.
Phone: (843) 559-1945
Hurd/St. Andrews Library
9 a.m. – 8 p.m.
Phone: (843) 766-2546
Miss Jane's Building (Edisto Library Temporary Location)
9 a.m. – 6 p.m.
Phone: (843) 869-2355
Dorchester Road Library
9 a.m. – 8 p.m.
Phone: (843) 552-6466
Baxter-Patrick James Island
9 a.m. – 8 p.m.
Phone: (843) 795-6679
Main Library
9 a.m. – 8 p.m.
Phone: (843) 805-6930
Bees Ferry West Ashley Library
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Phone: (843) 805-6892
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Phone: (843) 805-6909
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Screaming bloody murder in the Andes: making race and white noise in a colonial text.
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- Author(s): Toromoreno, Rodrigo
- Source:
Sound Studies; Mar2024, Vol. 10 Issue 1, p41-58, 18p- Subject Terms:
- Source:
- Additional Information
- Subject Terms:
- Abstract: Colonial control is studied through a narrative sound designed to entomb a black woman's voice under noise. Interpreting Charles Marie de La Condamine's 1746 letter, recounting the murder of a colleague during his scientific travels through Cuenca, involves mapping the effort to quell the scandalous scream of an enslaved woman who spoke up against the traveller and went unpunished. The text is read for the concatenation of sounds that follow her scream and the way these accrue into white, order-restoring noise at the hands of the author. However, simultaneously tracking how this defiant sound travels and is inscribed through layers of noise underscores the limits of such attempts to erase a racialised voice. Examining this tangential episode in an Andean town within La Condamine's larger Geodesic Mission (1735–45) introduces narrative silencing to the study of noise-making, wherein race thwarts the act of writing to regulate sounds during colonial encounters. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Sound Studies is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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