SARAJEVSKI PUCNJI: FRESKA TRAGIČNE BOSANSKOHERCEGOVAČKE HISTORIJE U ROMANU 28. 6. 1914. ZLATKA TOPČIĆA. (Bosnian)

THE SHOTS AT SARAJEVO: FRESCO OF THE TRAGIC HISTORY OF BOSNIA AND HERZEGOVINA IN THE NOVEL JUNE 28, 1914, BY ZLATKO TOPCIC. (English)

Zlatko Topčić has built the identity of a novelist who openly tackles new techniques and literary procedures in the wake of postmodern ways of writing. This is supported by the novels created during and after the last war in Bosnia and Herzegovina, where the shadows and traumas of the war are deep in the elements of the text, and the characters are caught in its whirlwind in different ways, prisoners of traumatic conditions even in the time when the storm of events subsides, but remains a long sediment of painful experiences. This text aims to show how a great historical event - the Sarajevo assassination - is artistically transposed in the novel 6/28/1914 (novel, revision), and how the fate of Bosnia and Herzegovina during the war in the period 1992-1995 can be traced through its outlines. With a collection of characters, historical and fictional, narrative organization of space and time, intertextuality, and an ironic relationship with metanarratives, Topčić creates a text as a product of personal stories from which a novelistic mosaic of historical events is created. [ABSTRACT FROM AUTHOR]

Zlatko Topčić je izgradio identitet romanopisca koji se otvoreno hvata u koštac s novim tehnikama i književnim postupcima na tragu postmodernih načina pisanja. Tome u prilog govore romani koji nastaju tokom i nakon posljednjeg rata u Bosni i Hercegovini, gdje su sjene i traume rata doboko u porama teksta, a likovi na različite načine zahvaćeni njegovim vihorom, zatočenici traumatičnih stanja i u vremenu kada se bura događaja stišava, a ostaje dugi talog bolnih iskustava. Cilj ovoga teksta je ukazati kako se veliki historijski događaj - Sarajevski atentat - umjetnički transponira u romanu 28. 6. 1914. (roman, revizija), te kako se kroz njegove obrise može pratiti i usud bosanskohercegovačkog prostora tokom rata u periodu 1992-1995. Zbirom likova, historijskih i fikcionalnih, narativnom organizacijom prostora i vremena, intertekstualnošću i ironijskim odnosom spram metanaracija, Topčić stvara tekst kao produkt ličnih priča od kojih se kreira romaneskni mozaik historijskog događaja. [ABSTRACT FROM AUTHOR]

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