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'A SPRING OF IMMORTAL COLOURS'. JACQUES LE MOYNE DE MORGUES (C. 1533-1588) AND PICTURING PLANTS IN THE SIXTEENTH CENTURY.
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- Author(s): Kornell, Monique; Margócsy, Dániel
- Source:
Journal of the Warburg & Courtauld Institutes; 2023, Vol. 86 Issue 1, p109-157, 49p- Subject Terms:
- Source:
- Additional Information
- Abstract: The Huguenot refugee artist Jacques Le Moyne deMorgues is traditionally known for his observations of North America and as the author of numerous albums of floral drawings. This article reassesses the attribution of several of these albums to LeMoyne based on documentary and stylistic evidence. It identifies the sixteenth-century Huguenot nobleman and diplomat Jacques de Morogues as the owner of one of the albums, and it discusses the production and early use of these albums as luxury gifts in French diplomatic and courtly circles.We document connections between the albums associated with Le Moyne and other sixteenthcentury and later works of floral imagery. We argue that the albums associated with Le Moyne show that developments in floral imagery in this period were driven by a distinct network of artists and collectors, and we offer a hypothesis of how members of this network may have interpreted them as an occasion to take pleasure in nature's charming variety, to praise it as God's work and to use flowers as symbols of feminine beauty and fertility. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Journal of the Warburg & Courtauld Institutes is the property of University of Chicago Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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