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Sociology of Rival Music Genres and Music Consumption in Post-1979 Revolution Iranian Society.
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- Author(s): Kowsari, Masoud
- Source:
Middle East Critique; Dec2023, Vol. 32 Issue 4, p559-569, 11p- Subject Terms:
- Source:
- Additional Information
- Subject Terms:
- Abstract: This article examines the genesis of and competition among rival music genres in post-revolutionary Iran. Rival genres (pop music, rap music, rock music, traditional music, etc.) are genres that gradually emerged and developed since the 1920s. Relying on Pierre Bourdieu's theory of cultural field I point out the important music genres in post-revolutionary Iran that act as a means of expressing conflict over the borders of the field, and why in this field, contrary to Bourdieu's theory, instead of a bipolar situation, a multi-genre situation prevails. Then, with the data obtained from my previous research and that of others who mostly live in Iran, I try to depict a picture of music consumption based on the rival music genres in the field and show how, contrary to the ideals and slogans of the Islamic Revolution, under the influence of global youth culture, the consumption of popular music has become the dominant consumption. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Middle East Critique is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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