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John L. Dart Library
9 a.m. – 7 p.m.
Phone: (843) 722-7550
West Ashley Library
9 a.m. – 7 p.m.
Phone: (843) 766-6635
Folly Beach Library
Closed
Phone: (843) 588-2001
Edgar Allan Poe/Sullivan's Island Library
Closed for renovations
Phone: (843) 883-3914
Wando Mount Pleasant Library
9 a.m. – 8 p.m.
Phone: (843) 805-6888
Village Library
9 a.m. – 6 p.m.
Phone: (843) 884-9741
St. Paul's/Hollywood Library
9 a.m. – 8 p.m.
Phone: (843) 889-3300
Otranto Road Library
9 a.m. – 8 p.m.
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Mt. Pleasant Library
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McClellanville Library
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Keith Summey North Charleston Library
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John's Island Library
9 a.m. – 8 p.m.
Phone: (843) 559-1945
Hurd/St. Andrews Library
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Dorchester Road Library
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Phone: (843) 552-6466
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Phone: (843) 795-6679
Main Library
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Phone: (843) 805-6930
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NARRATIVE RUPTURE AS HISTORY, OR THE SEARCH FOR THE "MISSING TEXT" IN MIGUEL SYJUCO'S ILUSTRADO AND GINA APOSTOL'S THE REVOLUTION ACCORDING TO RAYMUNDO MATA. (Filipino)
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- Author(s): Roma, Dinah T.
- Source:
Kritika Kultura; Aug2022, Issue 39, p398-415, 18p- Subject Terms:
- Source:
- Additional Information
- Subject Terms:
- Abstract: The search for the "missing text" is the central trope in Miguel Syjuco's Ilustrado (2008) and Gina Apostol's The Revolution According to Raymundo Mata (2009). In Ilustrado, the search for The Bridges Ablaze, the missing manuscript of the dead migrant Filipino writer Crispin Salvador propels the novel from beginning to end. In The Revolution According to Raymundo Mata, the tattered loose leaf pages from the diary of the half-blind revolutionary Raymundo Mata become the annotative focus of a psychoanalyst, a translator, and an editor. While the novels have received critical reviews, there have been no studies yet that look into the trope of the "missing text" as it amplifies the narrative ruptures within the novels. Taking cues from historiographical metafiction and narratology, ruptures and disruptions are symptomatic of a deeper discontinuity in history and may point to a desire--Lacanian in nature--to rewrite and contain the schisms of Philippine colonial history into fiction. By examining the narrative ruptures in the two novels, as they may take the form of textual productivity, this paper looks into how Philippine colonial history, particularly, as embodied in Jose Rizal, continues to undergo a reimagining that allows for more possibilities of reading and critique. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Kritika Kultura is the property of Kritika Kultura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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