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Procesos de patrimonialización en imágenes religiosas provenientes de reducciones jesuíticas-guaraníes: perspectivas de estudio desde la arqueología y la historia del arte. (Spanish)
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- Author(s): Ricardo Petrosini, Alejo; Eva Ocampo, Amanda
- Source:
Patrimônio e Memória; jan-jun2023, Vol. 19 Issue 1, p237-265, 29p- Subject Terms:
- Source:
- Additional Information
- Alternate Title: Patrimonialization processes in religious images from Jesuit-Guaranian reductions: study perspectives from archeology and art history. (English)
- Subject Terms:
- Abstract: The work is the continuity of an approach which has an important element of the jesuit reductions’ material culture: images, which had the function of evangelizing indigeneous by jesuit fathers, generating an effective preaching. From an interdisciplinary perspective -mainly, history of art and archaeology- this article analyzes arenisca stone 's images: Virgin, Headless Saint, Santa Verónica, Santa Bárbara or Holy Virgin and San José with the Child. The objective is to present a mapping and record about trajectory of these images from those guaraníes’ missions, and analyze their later and current contexts: urban environment of Concepción de la Sierra and Apóstoles -in Misiones´ province-, La Plata Museum, Enrique Udaondo’s Museum Complex -in Buenos Aires- observing continuities and changes in their biographies, which serve as a bridge between the historical past and the present heritage. [ABSTRACT FROM AUTHOR]
- Abstract: El trabajo es la continuidad de una investigación que tiene un elemento importante de la cultura material de reducciones jesuíticas: las imágenes, que tenían la función de evangelizar a los indígenas por los padres jesuitas, generando una prédica eficaz. Desde una perspectiva interdisciplinaria -principalmente, la historia del arte y la arqueología- el artículo analiza figuras de piedra arenisca: Virgen, Santo sin cabeza, Santa Verónica, Santísima Virgen o Santa Bárbara y San José con el Niño. El objetivo es presentar un relevamiento y registro sobre la trayectoria de estas imágenes provenientes de aquellas misiones de guaraníes y analizar sus contextos posteriores y actuales: el entorno urbano de Concepción de la Sierra y Apóstoles, -provincia de Misiones-, el Museo de La Plata, el Complejo Museográfico Enrique Udaondo -en Buenos Aires- observando continuidades y cambios en sus biografías, que sirven de puente entre el pasado histórico y el presente patrimonial. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Patrimônio e Memória is the property of Centro de Documentacao e Apoio a Pesquisa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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