ي إنموذجا رسالة ح ي بن يقظان ،البن سينا وابن الطفيل ،ورسالة الطير في ذكر العنقاء للغزال القَ الفلسف ال ِخ ومفهو ِم ِه َط ب ا ِب ِ ٍ،د في نية َراس. (Arabic)

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    • Alternate Title:
      Philosophical Story: A Study in the Structure and Concept of Discourse: Examples from Ibn Sina/ Ibn Tufail’s Hay Ibn Yaqthan and Al-Ghazali’s The Bird. (English)
    • Abstract:
      The philosophical story is a phenomenon that cannot be overlooked by thought and art; due to its enriched structure and form, a philosophical story received no attention. Philosophical stories are tales narrated by fabulous or real human or non-human creatures, such as animals or birds, with the aim to give lessons, express morals, or suggest certain philosophies. Drawing on this concept, this paper investigates philosophical story as a literary discourse with its own form and structure. Philosophical stories are morality narratives that flourished in the Arab and Muslim medieval worlds. To this end, two philosophical stories were chosen for analysis. These are Hay Ibn Yaqthan, a philosophical morality story that has been created by Ibn Sina, remodified by Ibn Tufail, and then re-structured by other medieval Arab and Muslim philosophers. The other one is The Bird, or a treatise on the Bird. This is a philosophical story presumably authored by Al-Ghazali. Philosophical stories have long been considered philosophical verses. This literary genre combined several mystic concepts, including reasoning, belief, and philosophy. The Muslim Sufist conceptualization of the universe has played a significant role in the formation of beliefs and ideas, which have later been manifested in relatable philosophies. Man’s thinking of the origin and creation of the universe represented the culmination of the medieval philosophies that have sought to interpret the relation between creatures and the Creator. These representations posed questions by humans on the fate of this world. This paper, therefore, investigates philosophical story as a piece of discourse with an elaboration of structure, aesthetics, iconicity, and dialogue as components of such genre. [ABSTRACT FROM AUTHOR]
    • Abstract:
      تمثل الق ُّصة الفلسفيّة ظاارر يمناا الغاغا ال ا فاا ناراا و اااخ لماا نلفغاب ماا ن ااب منغ اال لام تلا ا رغماام وال م حا ددبيااا ك كماا د اير لااعر العلمااا ك و اا ِّّرااية الم لوبة بمقااا و ار مهمفاا. الب بااّ ماا تا ايررا ا اية درال اددب الا الا ّرمم ماا د افام وساموم دو مماالوم بالاعر العلماااك و ياب كماا اّ رارا الق ّصا ّ ي ار المع وق ُك ّلِّ ّاخ ال ال ّرمم ما قلة مسغوى الف ية ا ا رؤ ا العلماا الفالسفة. اصحابفا قاا و قاوا بايا العلام والاايا دو العقال وال قالك وكاا وا الااريحة العالماة الغاّ منماه العقال نااص لفاا صاي فا ماا ال اصاواب وال االللك والماح والقاحك وقا ا عنس ررا الم ح لايفم ّ قصصفم الغّ مملورا كثيراا ما اد ناا تلا ك م فاا باالف ر ك وااغماادرم الا العقال خ للوصا اليماا فم باا اص ان ساا ص يولااُ مؤم اا و اللا واجاو الوجاود والحا ك ا وتاكيارم د اص ان ساص يولا بقوى يودافا هللا تعال يب ك ثم تغحو ررم القوى الل د عاا محااد بعاا بلا كقاو اللغةك كما طرموا م اد ال اسيامة ال ُّصو يةخ وراّ سايامة تقغصار الا االم اا اد باّ ك بال الا ااوالم ّّ ددبياا(ك الب مصر لفا مغ يصل ان ساص الل هللا- ج ال ا ب- ولقائب مغ اا. يغ او ررا ال ح ُث )الق ّ الفلسف تم مالمسة ومقا باة رارم القصا الفلسافية اّ باوا تحليال الك ااب كوكااا دبعاادم الِّاّ ليّاة ك وباع ارا بمياالاص ال قاا والناااك وقاا نرجاه ب غيهاة راّ د افاا تكلاو ماا مساحة اا وددب ال فاا يعو راا النثيار ا د ا لاللغحاق بركو القصة الف ية ك فّ يمناا اااارا اوق المقاماة ك ودوص القصاة. كماا تام الوقاوع الا دبعادراا وا اصررا الف ية ك ميث: ال اسرد والحوا وال ارمال والغّ تعاُّ ما دبر ال ِّّسمات الف ية والهمالياة لفا واسلوب لقصة كالفلسفة كال اسرد كاددبك اللغة كالحوا كال ارمالك م ُّّ الق ّصة . النلمات المفغامية :ا با يقظااص كاباا ساي ا كابا ال فيلك الغالال. [ABSTRACT FROM AUTHOR]
    • Abstract:
      Copyright of Larq Journal for Philosophy, Linguistics & Social Sciences is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)