Mobility.

Mobility is one of Leo Bersani's hardest-working terms, ubiquitous in his many studies of sexuality, art, and culture. This essay examines the valences of the term with specific reference to Bersani's application of it in visual analyses, notably in his 1985 book on ancient Assyrian narrative sculptures, The Forms of Violence (with photographs by Ulysse Dutoit). [ABSTRACT FROM AUTHOR]

Copyright of Differences: A Journal of Feminist Cultural Studies is the property of Duke University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)