Los autores ficticios de Jiménez Lozano y su resonancia cervantina. (Spanish)

Jiménez Lozano's Fictional Writers and its Cervantine Resonance. (English)

The game of fictional writers is one of the most evocative intertextual phenomena between Jiménez Lozano and Cervantes. This work analyses the power of a literary device which, full of irony and combined with the game of paratexts, shows the validity of Cervantes' poetics and its effectiveness in unravelling reality. The chosen examples illustrate the congruence of the concept of complicity, defended by the author against that of influence. Being familiar with Cervantes' works allows us to better understand a writer of modern times who shares his vision of the world, although the opposite is also true: by reading the works of the man from Avila we gain valuable insight into the genius of the classic writer. [ABSTRACT FROM AUTHOR]

El juego de autores ficticios supone uno de los fenómenos de intertextualidad más sugestivos entre Jiménez Lozano y Cervantes. En este trabajo se analiza la potencia de un recurso que, combinado con el juego de los paratextos e impregnado de ironía, manifiesta la vigencia de la poética cervantina y su eficacia para desentrañar la realidad. Los ejemplos escogidos dejan patente la congruencia del concepto de complicidad, que defiende el autor, frente al de influencia. Conocer a Cervantes nos permite comprender mejor a un escritor actual que comparte su visión del mundo, pero también podemos decirlo al revés: la lectura del abulense ilumina el genio del clásico. [ABSTRACT FROM AUTHOR]

Copyright of Hipogrifo: revista de literatura y cultura del siglo de oro is the property of Hipogrifo: revista de literatura y cultura del siglo de oro and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)