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Edgar Allan Poe/Sullivan's Island Library
Closed for renovations
Phone: (843) 883-3914
West Ashley Library
9 a.m. - 7 p.m.
Phone: (843) 766-6635
Wando Mount Pleasant Library
9 a.m. - 8 p.m.
Phone: (843) 805-6888
Village Library
9 a.m. - 1 p.m.
Phone: (843) 884-9741
St. Paul's/Hollywood Library
9 a.m. - 8 p.m.
Phone: (843) 889-3300
Otranto Road Library
9 a.m. - 8 p.m.
Phone: (843) 572-4094
Mt. Pleasant Library
9 a.m. - 8 p.m.
Phone: (843) 849-6161
McClellanville Library
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Keith Summey North Charleston Library
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Miss Jane's Building (Edisto Library Temporary Location)
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Dorchester Road Library
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Phone: (843) 552-6466
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9 a.m. - 7 p.m.
Phone: (843) 722-7550
Baxter-Patrick James Island
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Phone: (843) 795-6679
Main Library
9 a.m. - 8 p.m.
Phone: (843) 805-6930
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Phone: (843) 805-6892
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Phone: (843) 805-6909
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Beyond the Divide: The Different New Music Festival in Belgrade (1984–1986).
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- Author(s): Miladinović Prica, Ivana
- Source:
Contemporary Music Review; Oct-Dec2022, Vol. 41 Issue 5/6, p590-613, 24p- Subject Terms:
- Source:
- Additional Information
- Subject Terms:
- Abstract: Archival materials for the Different New Music Festival, which was held in the mid-1980s under the auspices of the Students' Cultural Centre (SKC) in Belgrade, reveal the multi-layered interplay of culture, politics, and ideologies of socialist and non-aligned Yugoslavia. A young generation of composers in Belgrade, who served on the Music Editorial Team of the SKC, organised three annual editions of the Different New Music Festival (1984–1986), seeking to revitalise the pluralist musical landscape of the 1960s. In a world divided into two military and political blocs—a period during which arts from the East were practically inaccessible in the West and vice versa—the SKC Festival became a hotspot for cultural exchange of local and international musical experimentalism, bringing together artists from both Blocs. Scrutinising the Festival's programme conception, this paper examines the Different New Music Festival as a significant factor in the transnational neo-avant-garde network, whereby Yugoslav composers participated in shaping European experimental and minimalist music. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Contemporary Music Review is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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