Loquacious Objects: Contemporary Iranian Art, Autotranslation, and the Readings of Benevolence.

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    • Abstract:
      The article presents the discussion on raising a two-meter-high hill-shape pile of dried cow dung at the center of Azad Art Gallery in Tehran. Topics include lamenting the despondency being settled upon the populace due to the disbelief in any possibility of political change; and witness to Mobed's effective use of performance art as a means to advance a didactic sociopolitical criticism.