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Sabahat Filmer ve Binnaz Filmi: Sinemasal Bir Palimpsestte Gerçek, Kurmaca ve Kadınların Eylemliliği. (Turkish)
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- Author(s): Balan, Canan
- Source:
Fe Journal: Feminist Critique / Fe Dergi: Feminist Elestiri; 2022, Vol. 14 Issue 2, p103-116, 14p- Subject Terms:
- Source:
- Additional Information
- Alternate Title: Sabahat Filmer and the movie Binnaz: Reality, Fiction and Women's Agency in a Cinematic Palimpsest. (English)
- Subject Terms:
- Abstract: This essay focuses on the narratives and agencies of two women in the early period of cinema in the Ottoman/Turkish lands. One of these narratives is representational and based on fiction, while the other is based on first-person experience. One of these two women is the first woman film producer and assistant director, namely Sabahat Filmer, while the other is the main character of the only surviving silent film for which Sabahat Filmer worked. Entitled Binnaz, named after its leading character, this film is said to feature the first "femme-fatale" of Turkish cinema. An important overlap of these two women is that both appeared in the Istanbul film industry in 1919. The value of Binnaz for this article lies not only in the fact that it is among the first feature-length films in Sabahat Filmer's filmography. Binnaz is also invaluable because it is the only available silent fiction film about women in Turkish film history to date. [ABSTRACT FROM AUTHOR]
- Abstract: Bu makale Osmanlı/Türkiye sinemasının erken döneminden iki kadının, biri temsili ve kurmaca, diğeri birinci ağızdan deneyime dayanan anlatılarına ve eylemliliklerinin sinema tarihine olan katkılarına odaklanmaktadır. Bu iki kadından birisi, Türkiye film sektörünün ilk kadın prodüksiyon ve yönetmen yardımcısı Sabahat Filmer, diğeri ise Sabahat Filmer'in yapımında çalıştığı ve kopyasına halen ulaşabildiğimiz tek sessiz film olan Binnaz filmine adını veren filmin ana karakteri. İstanbul yapımı sinemada ilk "fettan kadın" örneği olaran Binnaz ile Sabahat'in önemli bir ortak noktası, ikisinin de İstanbul'un sinema endüstrisine 1919 senesinde adım atması. Binnaz filminin bu makale için önemi yalnızca Sabahat'in filmografisindeki ilk filmlerden birisi olması değil. Film, aynı zamanda Türkiye sinema tarihinden erişebildiğimiz hem kurmaca hem de sessiz tek kadın filmi olması açısından da değerli. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Fe Journal: Feminist Critique / Fe Dergi: Feminist Elestiri is the property of Ankara University, Women's Studies Center (KASAUM) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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