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El documental como herramienta de denuncia de la situación carcelaria y la impunidad judicial en América Latina. (Spanish)
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- Author(s): Calvo de Castro, Pablo; Sánchez Diez, Ingrid Estíbaliz; Alzate Giraldo, Alberto Alejando
- Source:
Palobra; jul-dic2021, Vol. 21 Issue 2, p261-275, 15p- Subject Terms:
- Source:
- Additional Information
- Alternate Title: The documentary as a tool for denouncing the prison situation and judicial impunity in Latin America. (English)
- Subject Terms:
- Abstract: This text addresses the representations of the violation of rights in the judicial and penitentiary context of Latin America. An analytical review of six documentary feature films is carried out. These films investigate the subject of criminal law and the subject of the judicial system. The research offers a reflection on the strengths of documentary cinema as a reporting tool to make particular situations visible. Documentary cinema can also promote effective changes in systems that affect society as a whole. Furthermore, these study areas are in a context of inequality common to many sectors of the population in Latin America. A situation that has been attended by documentary cinema since the arrival of the New Latin American Cinema. Using a qualitative methodology, the following films are analyzed: The island of the lost children (Florence Jaugey, 2001, Nicaragua), The prison and the street (Liliana Sulzbach, 2004, Brazil), Justice (María Augusta Ramos, 2004, Brazil - Holland), The old thieves. The legends of Artegio (Everardo González, 2007, Mexico), Presumed guilty (Roberto Hernández and Geoffrey Smith, 2008, Mexico) and Claudia (Marcel Gonnet Wainmayer, 2010, Argentina). The results obtained are reflected from an analytical perspective that identifies those narrative strategies that consolidated the social focus of the documentary. Today these strategies have not lost their validity but have been adapted to continue reporting situations of injustice. [ABSTRACT FROM AUTHOR]
- Abstract: El presente texto aborda las representaciones de distintas vulneraciones de derechos en el contexto judicial y penitenciario de América Latina. A través de la revisión analítica de seis largometrajes documentales representativos en el abordaje de estas temáticas, se plantea una reflexión sobre las fortalezas del cine documental como herramienta de denuncia que permite visibilizar situaciones particulares, pero también impulsar cambios efectivos en los sistemas que afectan al conjunto de la sociedad. Además, la generación de espacios de reflexión en torno a estas temáticas se enmarca en un contexto de desigualdad común para numerosos sectores de población en América Latina que ha sido atendido por el cine documental de la región desde la irrupción del Nuevo Cine Latinoamericano. Mediante una metodología de corte cualitativo, se analizan La isla de los niños perdidos (Florence Jaugey, 2001, Nicaragua), La cárcel y la calle (Liliana Sulzbach, 2004, Brasil), Justicia (María Augusta Ramos, 2004, Brasil - Holanda), Los ladrones viejos. Las leyendas de Artegio (Everardo González, 2007, México), Presunto culpable (Roberto Hernández y Geoffrey Smith, 2008, México) y Claudia (Marcel Gonnet Wainmayer, 2010, Argentina). Se plasman los resultados obtenidos desde una perspectiva analítica que identifica esas estrategias narrativas que consolidaron el enfoque social del documental y que hoy en día no han perdido vigencia sino que han sido adaptadas para continuar la denuncia de situaciones de injusticia. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Palobra is the property of Universidad de Cartagena and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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