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El pacto de veridicción en la serie Chernobyl. La verdad y la mentira histórica desde lo fílmico.
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- Author(s): Pérez, Blanco1 ; Cruz-González, M. C.2
- Source:
Revista de Comunicación. mar-aug2022, Vol. 21 Issue 1, p33-48. 16p. - Source:
- Additional Information
- Alternate Title: The pact of veridiction in the series Chernobyl. The truth and the historical lie from the film.
- Subject Terms:
- Subject Terms:
- Abstract: El 26 de abril de 1986 se produjo uno de los sucesos más importantes de la historia de la energía nuclear: el accidente de Chernóbil. Este acontecimiento histórico marcó el declive de la Unión Soviética, una agenda ambientalista y una nueva geopolítica del mundo. Ha sido retratado por la literatura, el cine, el fotorreportaje y el documental, entre otros. Este trabajo busca analizar y contrastar la serie Chernobyl de HBO (2019) y la obra Voces de Chernóbil de Svetalna Alexiévich (1997), en concreto la relación entre realidad y reconstrucción periodístico-literaria y fílmica. Para ello, utilizamos una lógica descriptiva-argumentativa y un análisis visual con metodología mixta. En el análisis se evidencia una relación conflictiva entre ambas obras, ya que los testimonios consignados en el libro son fácilmente reconocibles en la serie, sin que ésta haya especificado nunca basarse en el libro. De entre las conclusiones destaca la estructura narrativa portadora de ideología (que buscan fortalecer un imaginario colectivo sobre las parcialidades comúnmente aceptadas sobre la Unión Soviética y su modelo de socialismo) llevada a cabo con una notable dirección de arte. Por último, la serie (marcadamente antinuclear) llega en un momento de amplio debate en la sociedad civil sobre el uso de la energía atómica, justo cuando se aproxima el fin del modelo actual de generación energética basado en combustible fósil para la sociedad y la industria pesada. [ABSTRACT FROM AUTHOR]
- Abstract: On 26 April 1986, one of the most important events in the history of nuclear energy took place: the Chernobyl accident. This historic event marked the decline of the Soviet Union, an environmental agenda and new geopolitics of the world. It has been portrayed in literature, film, photo-reportage and documentary, among others. This paper seeks to analyse and contrast the HBO series Chernobyl (2019) and Svetalna Alexievich's Voices from Chernobyl (1997), specifically the relationship between reality and literary and filmic reconstruction. For this purpose, we use a descriptive-argumentative logic and a visual analysis with a mixed methodology. The analysis reveals a conflictive relationship between the two works, since the testimonies recorded in the book are easily recognisable in the series, although the latter has never specified that they are based on the book. Among the conclusions, the narrative structure carrying ideology (which seeks to strengthen a collective imaginary over the commonly accepted biases about the Soviet Union and its model of socialism), carried out with remarkable art direction, stands out. Finally, the series comes at a time of widespread debate in civil society about the use of nuclear energy, just as the end of the current model of fossil fuel-based energy generation for society and heavy industry approaches. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Revista de Comunicación is the property of Revista de Comunicacion-Universidad de Piura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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