DE HOLOCAUSTO (1978) A CHERNOBYL (2019): ¿QUÉ PUEDE HACER EL AUDIOVISUAL ANTE UN PASADO TRAUMÁTICO Y UN FUTURO AMENAZADO?

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  • Author(s): FELDMAN, ILANA1
  • Source:
    Acta Poética. ene-jun2022, Vol. 43 Issue 1, p11-37. 27p.
  • Additional Information
    • Alternate Title:
      FROM HOLOCAUST (1978) TO CHERNOBYL (2019): CAN AUDIOVISUAL FACE A TRAUMATIC PAST AND A THREATENED FUTURE?
    • Subject Terms:
      CINEMATOGRAPHY; HOLOCAUST (TV program); CHERNOBYL (TV program); CULTURAL centers; FICTION television programs; CULTURAL history; GENOCIDE; TELEVISION series; VIOLENCE; HOLOCAUST, 1939-1945
    • Subject Terms:
      CHORNOBYL (Ukraine)
    • Abstract:
      A partir de la historia cultural de la repercusión de la serie de TV Holocausto (1978), que redefinió políticas de gobierno e instauró una inédita centralidad del testigo en el campo de la cultura, sacudiendo el modo en que el genocidio judío era hasta entonces percibido, el artículo pretende discutir --por medio de las contribuciones de Annette Wieviorka y Georges Didi-Hu-berman, entre otros--, en comparación con la serie Chernobyl (2019) y otras producciones cinematográficas, lo que el audiovisual puede hacer ante distintas formas de la violencia de Estado, ante un pasado traumático y un futuro amenazado. [ABSTRACT FROM AUTHOR]
    • Abstract:
      Retracing the cultural history of the reception of the TV series Holocaust (1978) as it redefined the politics of the State and put the testimony for the first time at the centre of the cultural field, undermining how the Jewish genocide was perceived until then, the article aims at discuss --by the contributions of Annette Wieviorka and Georges Didi-Huberman, among others-- through a comparison with the hbo series Chernobyl (2019) and other cinematographic productions, what audio-visual is capable of in front of different forms of State violence, of a traumatic past and of a threatened future. [ABSTRACT FROM AUTHOR]
    • Abstract:
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