The Creative Tripod: The Stitching and the Unstitching Revisited.

There are no undebated definitions of "creativity," and any definition will reflect how this rich topic is treated. Nearly 20 years ago I discussed how behavior analysis might contribute—or not—to an understanding of creativity. I revisit this topic, expanding on some issues and reconsidering others. As before, my focus is on scientific and mathematical accomplishments, which, though tied closely to Weisberg's placement of creative achievements in the domains of problem posing and problem solving, places emphasis on the extraordinary and productive giftedness of certain individuals. From the massive empirical, theoretical, and historical literature at least three essential and dynamically interlocking dimensions of their creative achievements emerge: talent, expertise, and motivation. I emphasize "interlocking" because the productive expression of each of these elements depends on the others. The role of behavior analysis in these elements is modest at best. It has nothing to say about talent—and even in some cases might deny its role altogether. As for expertise, with some notable exceptions, behavior analysis has had little to say about the acquisition of truly complex performances; this has been left to other fields. As for motivation, one must go well beyond naïve "pleasure and pain" accounts to more elusive, yet more powerful behavior–consequence relations. Many challenges to understanding remain for all behavioral scientists. [ABSTRACT FROM AUTHOR]

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