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![loading](/sites/all/modules/hf_eds/images/loading.gif)
Birutės Pūkelevičiūtės „Metūgės": poleminis debiuto atvejis. (Lithuanian)
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- Author(s): BERNOTAITĖ, Sandra
- Source:
Oikos: Lithuanian Migration & Diaspora Studies; 2021, Vol. 32 Issue 1, p135-149, 15p- Subject Terms:
- Source:
- Additional Information
- Alternate Title: "METŪGĖS" BY BIRUTĖ PŪKELEVIČIŪTĖ: POLEMICAL CASE OF A DEBUT. (English)
- Abstract: The poetic debut, in 1952 and in exodus, of Birutė Pūkelevičiūtė was exceptional: her poetry collection "Metūgės" gave rise to a tumultuous reaction in the cultural press and the Lithuanian community. The critics' opinions split, their evaluations were contradictory. An analysis of postwar exodus literature has revealed the domination of male writers and critics and the existence of a tradition of "female verse" which had its supporters. This article introduces critical reviews by Kazys Bradūnas, Bernardas Brazdžionis, and Henrikas Nagys. The analysis of the reaction to feminine aspects in "Metūgės" is based on evaluations by Juozas Grinius, Algirdas Julius Greimas, Vytautas Kavolis, Birutė Ciplijauskaitė, and others. In the Sixties feminist discourse was not yet established in Lithuanian literary discourse, therefore feminist elements in the poetry of B. Pūkelevičiūtė were not identified and comprehended. Reacting to the critique, B. Pūkelevičiūtė decided to withdraw from writing poetry. She was still active as a playwright, worked in theater, and also established herself as a prose writer. Her second poetry book was published forty years later. [ABSTRACT FROM AUTHOR]
- Abstract: Straipsnyje analizuojamas Birutės Pūkelevičiūtės išeivijoje 1952 m. įvykęs poetinis debiutas: rinkinys „Metūgės" sukėlė audringą reakciją kultūros spaudoje ir lietuvių bendruomenėje, kritikų nuomonės ir vertinimai išsiskyrė. Tyrinėjama pokario egzodo literatūros lauko situacija: kūrėjų ir kritikų (vyrų) dominavimas, moteriškosios lyrikos tradicija ir jos vertintojai. Pristatomos Kazio Bradūno, Bernardo Brazdžionio, Henriko Nagio kritinės recenzijos. Reakcija į moters tapatybės apraiškas rinkinyje aptariama remiantis Juozo Girniaus, Algirdo Juliaus Greimo, Vytauto Kavolio, Birutės Ciplijauskaitės ir kt. vertinimais. Feministinis diskursas XX a. 6 dešimtmečio lietuvių literatūrologijoje dar nebuvo aktualizuotas, tad feministiniai motyvai B. Pūkelevičiūtės poezijoje nebuvo atpažinti ir suprasti. Autorės reakcija į kritiką buvo atsiribojimas nuo poezijos kūrimo ilgam laikui. Ji tęsė veiklą kaip dramaturgė, teatro kūrėja, įsitvirtino prozos lauke. Jos antrasis poezijos rinkinys pasirodė po keturių dešimčių metų. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Oikos: Lithuanian Migration & Diaspora Studies is the property of Lithuanian Emigration Institute and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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