Definiranje uloge producenta u filmskoj umjetnosti – primjer dugometražnoga igranoga filma „Ideš? Idem!“. (Bosnian)

Producers role in cinematography on the example of the feature film „Ideš? Idem!“. (English)

The producer’s role in the process of creating a film is often not taken seriously enough, and many times is misinterpreted, even by the film industry itself. It can be said that only in recent history has our region adopted the Western model in the approach to film realization. A model in which the producer is assigned one of the most important roles, which requires strong engagement, full commitment and clearly defined responsibilities. This paper researches that role and considers all the significant segments that it covers as well as the producers contribution to the film. The first part discusses the characteristics of film production and the producer, as well as the differentiation between theater and film production. With a real-life example, specifically a case of a feature film, it provides an insight into all the production elements during creation. The second part of this paper analyses the data gathered through surveys and in-depth interviews, and goes on to show very clearly the extent to which the producer’s profession is recognized as being relevant and what it means both from the perspective of associates and the end users, that is the film’s audience. [ABSTRACT FROM AUTHOR]

Uloga producenta i njegove zadaće, odnosno odgovornosti u procesu stvaranja filmskoga djela često je nedovoljno jasno shvaćena u javnosti, a gdjekad i pogrješno protumačena, čak i od same struke. Tome zasigurno doprinosi činjenica da su, kroz rane razvojne faze hrvatske kinematografije, producentska zaduženja, kao i ona autorska, na sebe preuzimali upravo redatelji. Dakle, u početcima kreiranja filma nije bilo moguće zadovoljiti potrebne standarde zbog ograničenih resursa, ali i zbog manjka kadra koji se postepeno razvijao zajedno s branšom. Može se reći da je na našim prostorima tek u recentnoj povijesti preuzet zapadnjački model u pristupu realizaciji filma, model po kojem je producentu dodijeljena jedna od najvažnijih uloga, a koja zahtijeva ozbiljan angažman, potpunu predanost i jasno definirane odgovornosti. Ovaj rad bavi se istraživanjem upravo te uloge, obrađuje sve značajne segmente koje ona obuhvaća, a za cilj ima determinirati doprinos filmu od producenta. Osim teorijskoga pregleda, primjerom iz prakse, konkretno u slučaju dugometražnoga igranoga filma, daje se uvid u sve produkcijske korake tijekom stvaranja. U drugom dijelu ovoga rada, analitičkom obradom prikupljenih podataka koji su dobiveni putem anketnoga upitnika i dubinskoga intervjua, vrlo je jasno predočeno u kojoj je mjeri zanimanje producenta prepoznato kao relevantno te što ono podrazumijeva, kako iz perspektive samih suradnika, tako i one krajnjih korisnika, odnosno publike. [ABSTRACT FROM AUTHOR]

Copyright of Kroatologija is the property of University of Zagreb, Centre for Croatian Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)