االنزياح الداللي في شعر مصطفى جمال الدين. (Arabic)

Item request has been placed! ×
Item request cannot be made. ×
loading   Processing Request
  • Additional Information
    • Alternate Title:
      semantic shift in the poetry of Mustafa Jamal al-Din. (English)
    • Abstract:
      The semantic shift is a phenomenon that lies in the extent of the poet's ability to violate and violate the norms of language, to raise the level of literary discourse to aesthetics and pleasure, and the supreme goal of this technique is to bring about surprise and surprise in the recipient, by producing new and intense connotations that the ordinary language does not carry, so I dealt with this The study of the manifestations of shifting at the semantic level in Mustafa Jamal al-Din's poetry, which are among the most important and prominent stylistic features in his poetic text, which formed a distinct stylistic feature through the use of words in poetic metaphorical use, manifested in the poet’s use of the techniques of contradiction, paradox and semantic attribution shocking and unexpected, Through which he was able to paint his expressive poetic image, and from this we find that displacement has a special place in Mustafa Jamal al-Din's text, which comes from being the most prominent of the creative mechanisms and techniques in his poetic product, whose stylistic manifestations varied in his poetry, and gave him distinction from the rest of the poets of his time. [ABSTRACT FROM AUTHOR]
    • Abstract:
      ن االنزياح الداللي ظاهرة تكمن في مدى قدرة الشاعر على انتهاك وخرق المألوف من اللغة، لترتقي بمستوى الخطاب األدبي إلى الجمالية واللذة، والهدف األسمى من هذه التقنية هو إحداث المفاجأة والدهشة لدى المتلقي، عن طريق إنتاج دالالت جديدة ومكثفة ال تحملها اللغة العادية، لذا تناولت هذه الدراسة مظاهر االنزياح على المستوى الداللي في شعر مصطفى ً من خالل توظيف جمال الدين، والتي ت عد من أهّم وأبرز السمات األسلوبية في ن ّصه الشعري، التي ش ّكلت ملمحا أسلوبيا متميزا الكلمات توظيفا ، تمظهر في استعمال الشاعر لتقنيات التضاد والمفارقة و ً ً شعريا اإلسناد الداللي الصادم وغير المتوقع، ً مجازيا التي استطاع من خاللها رسم صورته الشعرية المعبرة، ومن هذا نجد ما لالنزياح من مكانة خاصة في شعر مصطفى جمال ليات والتقنيات الخّالقة في نتاجه الشعري، التي تنوعت مظاهرها األسلوبية في شعره، وأعطته الدين تأتي من كونها أبرز اآل ً عن بقية شعراء عصره. [ABSTRACT FROM AUTHOR]
    • Abstract:
      Copyright of Journal of Human Sciences (19922876) is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)