Discusiones doctrinales y problemas de traducción. La representación de la Santísima Trinidad, la virgen María y los ángeles en La fazienda de Ultramar.

Doctrinal disputes and translation problems. The depiction of the Holy Trinity, the Virgin Mary and angels in La fazienda de Ultramar.

BIBLE; BIBLICAL translations; NATIVE language; TRANSLATORS; MARY, Blessed Virgin, Saint; TRINITY; PILGRIMS & pilgrimages; LITERATURE translations; 13TH century (Literary period)

La fazienda de Ultramar es un texto del siglo XIII que traduce la Biblia a la manera de los itinerarios o guías de peregrinos medievales: en él, la selección de pasajes de la Escritura está motivada por la geografía de Tierra Santa, que orienta el recorrido por los relatos bíblicos. El objetivo de este trabajo será profundizar en las operaciones discursivas que diferencian a La fazienda de Ultramar de sus fuentes y de otros romanceamientos, y que reflejan las dificultades que enfrentaban los primeros traductores de la Biblia a las lenguas vernáculas. Nos centraremos específicamente en los aspectos que se vinculan con los debates de índole doctrinal y las discusiones teológicas propias del momento de redacción de la obra. Por ello, analizaremos la representación de la Santísima Trinidad, la Virgen María y los ángeles, augurando que nos permitirá conocer el sistema cultural en que se ubicaba el autor y su modo de trabajo en tanto traductor. [ABSTRACT FROM AUTHOR]

La fazienda de Ultramar is a thirteenth-century translation of the Bible that replicates the structure of the medieval itineraries or pilgrim narratives: the selection of passages from Scripture is motivated by the geography of the Holy Land, which guides the way through biblical stories. This study aims to deepen into the discursive operations that separate La fazienda de Ultramar from its sources and other translations of the Bible, and which reflect the dificulties and issues met by the first translators of the Bible into vernacular languages. We will specifically reflect upon those which are connected with doctrinal debates and theological discussions relevant at the time of the composition of the work. Therefore, we will analyse the representation of the Holy Trinity, the Virgin Mary and angels, hoping it will allow us to comprehend the cultural system its author inhabited and the techniques he incorporated as a translator. [ABSTRACT FROM AUTHOR]

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