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TRANSMISSION ET HISTORIOGRAPHIE DU CINÉMA: L'INFLUENCE DE GEORGES SADOUL SUR NIJAT ÖZÖN, PIONNIER MARXISTE DE L'HISTOIRE TURQUE DU CINÉMA. (French)
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- Author(s): YILDIRIM, TUNÇ
- Source:
Canadian Journal of Film Studies; Spring2021, Vol. 30 Issue 1, p72-98, 27p- Subject Terms:
- Source:
- Additional Information
- Subject Terms:
- Subject Terms:
- Abstract: Nijat Özön (1927-2010) is considered to be the "pioneer" of cinema historiography in Turkey with the publication of his first work dedicated to Turkish cinema in 1962. In fact, his History of Turkish Cinema from Yesterday to Today: 1896-1960 was an attempt to write the history of cinema by focusing on its artistic aspects as well as on its industrial aspects. From his preliminary articles published in the 1950s, the author set out to analyze the situation of Turkish cinema from an economic, industrial, and institutional perspective and not only from an aesthetic point of view. Did the "Sadoulian model" of the history of cinema play a key role in the approach and practice of this Turkish cinema specialist? The aim of this article is to study the impact of Georges Sadoul's Marxist vision and his documentation methodology had on the historical discourse of his Turkish colleague. The article merges two theoretical concepts (comparative approach and the historiographical operation) to highlight the social milieu to which Özön belongs, the practices he uses as an historian and the intellectual influences he undergoes in his writing work. [ABSTRACT FROM AUTHOR]
- Abstract: On considère Nijat Özön (1927-2010) comme le « pionnier » de l'historiographie du cinéma en Turquie à la faveur de la publication de son premier ouvrage dédié au cinéma turc en 1962. En fait, son Histoire du cinéma turc d'hier à aujourd'hui: 1896-1960 est une tentative d'écriture de l'histoire du cinéma en se focalisant sur ses aspects artistiques en même temps que sur ses aspects industriels. Dès ses articles préliminaires publiés dans les années 1950, l'auteur entreprenait d'analyser la situation du cinéma turc dans une perspective économique, industrielle et institutionnelle et non seulement d'un point de vue esthétique. Est-ce que le « modèle sadoulien » de l'histoire du cinéma a joué un rôle clé dans l'approche et la pratique historiennes de ce spécialiste du cinéma turc, L'objectif de cet article est de démontrer et d'étudier les effets que la vision marxiste et la méthodologie de documentation de Georges Sadoul ont eus sur le discours historique de son confrère turc. L'article fusionne quelques concepts théoriques (le comparatisme et l'opération historiographique) pour mettre en évidence le milieu social auquel Özön appartient, les pratiques historiennes dont il se sert, ainsi que les influences intellectuelles qu'il subit dans son travail d'écriture. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Canadian Journal of Film Studies is the property of University of Toronto Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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