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9 a.m. - 5:30 p.m.
Phone: (843) 588-2001
Edgar Allan Poe/Sullivan's Island Library
Closed for renovations
Phone: (843) 883-3914
West Ashley Library
9 a.m. – 7 p.m.
Phone: (843) 766-6635
Wando Mount Pleasant Library
9 a.m. – 8 p.m.
Phone: (843) 805-6888
Village Library
9 a.m. - 6 p.m.
Phone: (843) 884-9741
St. Paul's/Hollywood Library
9 a.m. – 8 p.m.
Phone: (843) 889-3300
Otranto Road Library
9 a.m. – 8 p.m.
Phone: (843) 572-4094
Mt. Pleasant Library
9 a.m. – 8 p.m.
Phone: (843) 849-6161
McClellanville Library
9 a.m. - 6 p.m.
Phone: (843) 887-3699
Keith Summey North Charleston Library
9 a.m. – 8 p.m.
Phone: (843) 744-2489
John's Island Library
9 a.m. – 8 p.m.
Phone: (843) 559-1945
Hurd/St. Andrews Library
9 a.m. – 8 p.m.
Phone: (843) 766-2546
Miss Jane's Building (Edisto Library Temporary Location)
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Phone: (843) 869-2355
Dorchester Road Library
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Phone: (843) 552-6466
John L. Dart Library
9 a.m. – 7 p.m.
Phone: (843) 722-7550
Baxter-Patrick James Island
9 a.m. – 8 p.m.
Phone: (843) 795-6679
Main Library
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Phone: (843) 805-6930
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LA ORDEN QUE PROHIBIÓ INTERPRETAR OBRAS CLÁSICAS A LAS ORQUESTAS DE JAZZ Y DE BAILE EN LOS PRIMEROS AÑOS DEL FRANQUISMO. (Portuguese)
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- Author(s): Centenera Sánchez-Seco, Fernando
- Source:
Quaestio Iuris (QI); 2021, Vol. 14 Issue 1, p155-192, 38p- Subject Terms:
- Source:
- Additional Information
- Alternate Title: THE ORDER THAT PROHIBITED JAZZ AND DANCE ORCHESTRAS FROM PERFORMING CLASSICAL WORKS IN THE EARLY YEARS OF THE FRANCO DICTATORSHIP. (English)
- Abstract: The end of the Spanish civil war in 1939 led to a dictatorship with a system of censorship that would affect the entire musical sphere. One of its most characteristic embodiments was an Order published by the National Performing Arts Syndicate in 1942, which prohibited jazz and dance orchestras from performing classical works. This study examines this provision from a normative perspective. To that end, it considers aspects related to its publication, dissemination, language and interpretation. It also examines the authority to carry out the censorship that the order established, and its implementation. Compliance and non-compliance, the pieces censored and how the linguistic vagueness of the regulation was addressed are discussed in relation to the latter question. In methodological terms, the study is based on archive documentation and contemporary regulations. The perspective adopted is analytical and critical. The results highlight numerous failures in the aspects mentioned above, which demonstrate a blatant disregard for the rules. Likewise, a significant absence of internal coordination is apparent, as well as shortcomings in its implementation on numerous occasions, which were partly due to the formal problems diagnosed. [ABSTRACT FROM AUTHOR]
- Abstract: En 1939 el final de la guerra civil española dio paso a una dictadura con un sistema de censura que afectaría de lleno a la parcela musical. Una de las manifestaciones más representativas fue una Orden del Sindicato Nacional del Espectáculo publicada en 1942, que prohibía interpretar obras clásicas a las orquestas de jazz y de baile. El objetivo de este trabajo es analizar esta disposición desde un punto de vista normativo. Para ello se abordan aspectos relativos a su publicación, publicidad, lenguaje o interpretación. También se considera la competencia para llevar a cabo la censura que establecía la orden, así como su puesta en práctica. En relación a esta última cuestión se tratan los cumplimientos e incumplimientos, los temas censurados y la gestión de la vaguedad lingüística de la norma. Metodológicamente, el estudio se desarrolla a partir de documentación de archivos y normativa del momento. La perspectiva que se adopta es analítica y crítica. Los resultados obtenidos muestran numerosos fracasos en los aspectos señalados anteriormente, que demuestran un desprecio manifiesto hacia las normas. Del mismo modo, se constatan importantes descoordinaciones internas y también, en parte debido a los problemas formales diagnosticados, una puesta en práctica deficiente en numerosas ocasiones. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Quaestio Iuris (QI) is the property of Editora da Universidade do Estado do Rio de Janeiro (EdUERJ) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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