'Producing' childhood: The making of childhood and children in theatre.

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    • Abstract:
      The performance of child roles and childhood on stage requires specific skills and resources. It also depends upon certain acting strategies and training. This article explores productions for children by theatre companies in India, analysing the meaning of these performance abilities, strategies and their relation to chronological age, experience and actors' appearances. It shows how the conceptualisation of childhood and its ontological status can benefit from theatre as a locus of inquiry in which only adults can professionally perform childhood. [ABSTRACT FROM AUTHOR]
    • Abstract:
      Copyright of Childhood is the property of Sage Publications, Ltd. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)