"Time to Pretend": The Emerging Adulthood of Indie Rock.

Item request has been placed! ×
Item request cannot be made. ×
loading   Processing Request
  • Additional Information
    • Abstract:
      Indie rock has long presented itself as a nontraditional and unconventional genre, one that has served more as an exploratory pathway than a stable career for its postcollegiate twenty-something middle-class participants. In this regard indie closely parallels the developmental life stage of emerging adulthood, a label encompassing the increasingly extended road from adolescence to adulthood. Focusing special attention on the music of noted indie groups MGMT and Vampire Weekend, and the years of the Great Recession (2007–2009) in which they first emerged, this article considers the connections between indie and emerging adulthood from a variety of social, cultural, and musical-stylistic perspectives. As the examples of these groups show, indie musicians have frequently depicted the years of emerging adulthood as a liminal period of optimistic exploration tempered with great instability and ambivalence about the future. [ABSTRACT FROM AUTHOR]
    • Abstract:
      Copyright of Popular Music & Society is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)