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El cortometraje latinoamericano moderno. Registro, dispositivo, documento y memoria. (Spanish)
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- Author(s): Cossalter, Javier
- Source:
Revista Fotocinema; 2020, Issue 20, p305-334, 30p- Subject Terms:
- Source:
- Additional Information
- Alternate Title: The modern Latin American short film. Registration, device, document and memory. (English)
- Abstract: The short film, according to its economic and structural potentialities, played a leading role in the transformation of the Latin American film field during the fifties and sixties, both in aesthetic renewal and social commitment. The proposal of this work is to analyze a corpus of short Argentine, Brazilian and Mexican documentaries together with their production conditions with the interest of making a double reflection on the political and heritage dimension of this cinema. In the first place, it will focus on the observational profile of the camera, the edition, the testimony and the voices as expressive elements tending to register a social problem in the present of gestation of the film and intervene in that reality. Secondly, and in a complementary way, attention will be placed on the mnemonic character of the corpus and the construction of a cultural document for posterity, taking into account not only the textuality of the films but also the heritage awareness of the entities of production and diffusion in each country. [ABSTRACT FROM AUTHOR]
- Abstract: El cortometraje, de acuerdo a sus potencialidades económicas y estructurales, tuvo un rol destacado en la transformación del campo cinematográfico latinoamericano durante las décadas del cincuenta y sesenta, tanto en la renovación estética como en el compromiso social. El objetivo de este trabajo consiste en analizar un corpus de cortos documentales argentinos, brasileños y mexicanos junto a sus condiciones de producción con el interés de efectuar una doble reflexión en torno a la dimensión política y patrimonial de este cine. En primer lugar, se focalizará en el perfil observacional de la cámara, el montaje, el testimonio y las voces como elementos expresivos tendientes a registrar una problemática social en el presente de gestación del film e intervenir en dicha realidad. En segundo lugar, y de forma complementaria, se colocará la atención en el carácter mnemónico del corpus y la construcción de un documento cultural para la posteridad, teniendo en cuenta no sólo la propia textualidad de los films sino también la conciencia patrimonial de las entidades de producción y difusión en cada país. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Revista Fotocinema is the property of Revista Fotocinema and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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