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On the return of the (media) author: Michel Houellebecq, écrivain médiatique.
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![loading](/sites/all/modules/hf_eds/images/loading.gif)
- Author(s): Campbell, Françoise; Dutton, Jacqueline; Harris, Ashley
- Source:
French Cultural Studies; Feb2020, Vol. 31 Issue 1, p32-45, 14p- Subject Terms:
- Source:
- Additional Information
- Subject Terms:
- Abstract: This article argues that Michel Houellebecq is an écrivain médiatique, and it examines how and why he engages in an authorial strategy that relies on more than the text and presents the author as a visible, multimedia, and culturally relevant figure. From an epistemological need to reassess authorship in the digital age, this article defines media authorship before analysing Houellebecq through a critical framework including Meizoz's concept of posturing (2007), Saint-Gelais's transmediality (2011) and Angenot's social discourse (1989). It addresses how Houellebecq attempts to situate and justify his media-focused and author-centric strategy, showing how this reflects the challenges of the cultural domination of mass media and new technologies of the digital age, and indicates that the autonomy of the literary field is diminishing. This article shows how a superficially transgressive engagement with the media and multimedia in fact reflects consent to the dynamics of the contemporary socio-cultural context. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of French Cultural Studies is the property of Sage Publications Inc. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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