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A freira, a tortura e a censura: um filme de Ozualdo R. Candeias entre a crítica política e a ofensa moral.
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- Author(s): Andrioli Guedes, Wallace1
- Source:
Estudos Ibero-Americanos. set-dec2019, Vol. 45 Issue 3, p63-75. 3p. - Source:
- Additional Information
- Alternate Title: The nun, the torture and the censorship: an Ozualdo R. Candeias' film between political critique and moral offense.
La monja, la tortura y la censura: una película de Ozualdo R. Candeias entre la crítica política e lo delito moral. - Subject Terms:
- Abstract: El artículo analiza la película A freira e a tortura (1983), de Ozualdo R. Candeias, que aborda las torturas impuestas a una religiosa durante los años más duros de la dictadura militar brasileña y, al mismo tiempo, explora situaciones sexuales entre personajes marginales que se encuentran en la cárcel. Como se trata de una obra censurada por la División de Censura de Diversiones Públicas (DCDP) en los años finales del régimen dictatorial, su proceso censorio también está desintegrado en el artículo, revelando los encuentros y desencuentros entre censuras moral y política en un momento de transición a la democracia. [ABSTRACT FROM AUTHOR]
- Abstract: This paper analyzes the movie The Nun and The Torturer (1983), directed by Ozualdo R. Candeias, which approaches the abuses imposed on a religious woman during the hardest years of the Brazilian military dictatorship, at the same time exploring the sexual encounters between other imprisoned side characters. Since the movie was censored by the Public Diversion Censorship Division (DCDP) in the final years of the dictatorship, its censoring process is also unraveled in this article, which exposes the connections and mismatches between moral and political censorships in the period of transition to democracy. [ABSTRACT FROM AUTHOR]
- Abstract: O artigo analisa o filme A freira e a tortura (1983), de Ozualdo R. Candeias, que aborda as sevícias impostas a uma religiosa durante os anos mais duros da ditadura militar brasileira e, ao mesmo tempo, explora situações sexuais entre personagens marginais que se encontram no cárcere. Como se trata de uma obra censurada pela Divisão de Censura de Diversões Públicas (DCDP) nos anos finais do regime ditatorial, o seu processo censório também é destrinchado no artigo, revelando os encontros e desencontros entre as censuras moral e política em um momento de transição para a democracia. [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Estudos Ibero-Americanos is the property of EDIPUCRS - Editora Universitaria da PUCRS and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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