Music, the media and the Thai state following the death of King Bhumibol: Popular music's role in orchestrating certainty in Thailand's existential crisis.

Following the death of Thailand's King Bhumibol Adulyadej on 13 October 2016, the country entered an official period of mourning. In an attenuation of existing practices rather than a departure from them, the unelected military government assumed control of all media and used it to curate the tone of national mourning. Music was then enlisted in the process to help shape the emotional register of the grieving process. Government-controlled media's actions were exemplified in the broadcasting practices of the police-run radio station in the north-eastern city of Khon Kaen. It repeatedly played only a small number of structurally and aesthetically similar popular songs that shared hagiographic narrative themes of praise for the late king and emphasized national solidarity. The government's use of its power, the importance of the king in the Thai imagination and the maintenance of societal equilibrium following his death are briefly explained through Bunn's concept of 'new censorship'. [ABSTRACT FROM AUTHOR]

Copyright of International Journal of Community Music is the property of Intellect Ltd. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)