Item request has been placed!
×
Item request cannot be made.
×
Processing Request
Introduction.
Item request has been placed!
×
Item request cannot be made.
×
Processing Request
- Author(s): DUTT, BISHNUPRIYA
- Source:
Theatre Research International. Oct2017, Vol. 42 Issue 3, p323-326. 4p.
- Additional Information
- Subject Terms:
- Subject Terms:
- Abstract:
These three essays on distinct research areas and case studies cover a broad history of educational institutions in India, their focus on theatre and cultural education, and their role in creating citizens active in the public sphere and civic communities. The common point of reference for all the three essays is the historical transition from pre- to post-independence India, and they represent three dominant genres of Indian theatre practice: the amateur progressive theatre emerging out of sociopolitical movements; the State Drama School, which has remained at the core of the state's policy and vision of a national theatre; and college theatre, which comprises the field from which the National School of Drama sources its acting students, as well as new audiences for urban theatres. [ABSTRACT FROM PUBLISHER]
- Abstract:
Copyright of Theatre Research International is the property of Cambridge University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
No Comments.