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Hurd/St. Andrews Library
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"THE WORLD HAS BECOME SELF-REFERING": DON DELILLO'S THE NAMES AND THE AESTHETIC OF THE CONTEMPORARY.
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- Author(s): Moraru, Christian
- Source:
Metacritic Journal for Comparative Studies & Theory; Dec2017, Vol. 3 Issue 2, p5-24, 20p- Subject Terms:
- Source:
- Additional Information
- Subject Terms:
- Subject Terms:
- Abstract: The essay suggests that Don DeLillo is one of the U. S. authors who have reflected most responsibly on the crisis of modernity's fundamental institutions and community structures. Compared to the relatively stabilizing deep freeze of the Cold War, the late 1980s and the world after the fall of the Berlin Wall are, as DeLillo shows especially in his post-White Noise works, more interconnected, more "systematic," and overall more "present." Focusing primarily on DeLillo's 1982 novel The Names and its "world presence" theme, the essay addresses the writer's fascination with the systems that define the contemporary and its "aesthetic" and shows how some individuals set out to resist being defined and confined by our world's networks of "madness." [ABSTRACT FROM AUTHOR]
- Abstract: Copyright of Metacritic Journal for Comparative Studies & Theory is the property of Babes-Bolyai University of Cluj, Faculty of Letters and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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